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Otherwise, that same vengeful hand might shake the sober right outta ya. However, I could totally see myself drinking this on a special occasion, like Christmas Eve, when I’m open to very rich and / or decadent indulgences.Īnd one final note: the Cave song is about "the vengeful hand of God," so keep this in mind while drinking these potent potables. It’s also sweet to the taste, which, again, makes this cocktail one that works for the first few sips but eventually becomes quite powerful. All of the flavors mix together well and are identifiable by the palate, but the strong taste becomes a bit overpowering about halfway through. This works both for and against the drink. Florida St., introduced a cocktail of the same name.īecause of the cinnamon, nutmeg, clove and ginger, Sterwald’s concoction is the spiciest of the lot. "Red Right Hand" is a Nick Cave and the Bad Seeds song that came out in 1994, and in October of 2010, Clint Sterwald, who pours at Branded at the Iron Horse Hotel, 500 W. Shake all ingredients, with the exception of cherry juice, into a martini glass. 75 parts Luxardo® Maraschino Cherry Liqueur And make sure to visit these 10 bars and try these most unique of Maker's Mark cocktails, too. To enter to win, just click here and vote for your favorite recipe. Our job during this month was fun, too: we sampled each of the cocktails and are happy to tell you all about them. Eastwood's audience, however, was not so put off, and an exhibitors' poll named Eastwood a top box-office draw for and Maker's Mark® have partnered for a special promotion all October called "Paint The Town Red." We selected 10 of Milwaukee's best mixologists, asked them to share their trademark bourbon recipes, and now, we're giving you a chance to vote for - and win $50 from - one of their respective bars. Seminal western hero John Wayne was so offended by Eastwood's harshly revisionist view of a frontier town that he wrote to Eastwood, objecting that this was not what the spirit of the West was all about. With its fragmented flashbacks and bizarre, austere locations, High Plains Drifter's stylistic eccentricity lends an air of unsettling eeriness to its revenge story, adding an uncanny slant to Eastwood's antiheroic westerner. By the time the Stranger makes the corrupt community paint their town red and re-name it Hell, it is clear that he is not just another gunslinger.
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He agrees to train them in self-defense, but Mordecai and innkeeper's wife Sarah Belding ( Verna Bloom) soon suspect that the Stranger has another, more personal agenda. Lago's residents are not particularly friendly, but once the Stranger shows his skills as a gunfighter, they beg him to defend them against a group of outlaws (led by Eastwood regular Geoffrey Lewis) who have a score to settle with the town. Adapting the amorally enigmatic and violent Man With No Name persona from his films with Sergio Leone, Eastwood's second film as director begins as his drifter emerges from that heat haze and rides into the odd lakefront settlement of Lago. You know, he replies, before vanishing into the desert heat waves near California's Mono Lake.
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Who are you? the dwarf Mordecai ( Billy Curtis) asks Clint Eastwood's Stranger at the end of Eastwood's 1973 western High Plains Drifter.